| JONATHAN VANDYKE | |
| Jonathan VanDyke lives and works in New York, New York, USA | |
| 2008 | Skowhegan School of Painting and Sculpture, Maine, USA |
| 2004 | Milton Avery Graduate School of Bard College, New York, USA |
| MFA in Sculpture | |
| 1996 | The Glasgow School of Art & The University of Glasgow, Scotland fellowship in studio art and the history of art, Glasgow, Schottland |
| SOLO SHOWS (SELECTION) | |
| 2019 | How to Operate in a Dark Room, 1/9unosunove in Rome |
| The Ladder Maker, Dickinson College in Carlisle, Pennsylvania | |
| 2017 | Some Were Caught Up, And Some Were Not, Loock Galerie, Berlin, Germany |
| TOPS Gallery, Memphis, USA | |
| Self Evidence, performance, University of the Arts, Philadelphia, & Penn State University, USA | |
| Solo Project, NADA New York, USA | |
| 2016 | People Like Shapes, Ideas Like Colors, Colors Like People, Shapes Like Ideas, performance, Este Arte, Punta del Este, Uruguay |
| 2015 | L blue N black I green M orange K violet, 1/9unosunove, Rome, Italy |
| Movements For Monoliths, performance, Storm King Sculpture Park, New York, USA | |
| abc berlin, Solo presentation by Loock Galerie, Berlin, Germany | |
| 2014 | Loock Galerie, Berlin, Germany |
| 2013 | Oltre l’oblio, unosunove, Rome, Italy |
| The Painter Of The Hole, Scaramouche, New York, USA | |
| Syrup Of The Hand (curated by Daisy Nam), Court Square Project Space, Long Island City, New York, USA | |
| 2011 | The Long Glance, Albright-Knox Art Gallery, Buffalo, USA |
| With One Hand Between Us, part of Performa 2011, New York, USA | |
| 2010 | The Irrigated Husband, fivesevendelle, Boston, USA |
| 2009 | The Hole in the Palm of Your Hand, Scaramouche, New York, USA |
| Gloved Impediment, HQ Gallery, Brooklyn, New York, USA | |
| 2007 | What It Feels Like, Hartnett Gallery, University of Rochester, New York, USA |
| The Salon Of The Covered Bride, Pocket Utopia, Brooklyn, New York, USA | |
| 2006 | New Objects In Progress, University of Chicago, IL, Great Hall Gallery, Chicago, USA |
| GROUP SHOWS (SELECTION) | |
| 2019 | Queer Abstraction, Des Moines Art Center, Iowa, USA (travels to: Nerman Art Museum, Overland Park, KS USA) |
| 2017 | Where We Find Ourselves (curated by Jordan Rockford), Penn State Abingdon Art Gallery and Open Lens Gallery at University of the Arts, Pennsylvania, USA |
| 2016 | Syntagma, Parsons The New School, New York, USA |
| Face To Face: International Emerging Artists from the Ernesto Esposito Collection, Palazzo Fruscione, Salerno, Italien | |
| Draw To Perform, Crow’s Nest Gallery, London, UK | |
| 2015 | Anxiously Attached, Essex Flowers, New York, USA |
| 39 x 17, La Mama Galleria, New York, USA | |
| Este Arte, Punta del Este, Uruguay | |
| 2014 | Reception Of Reception, Kleine Humboldt Galerie, Berlin, Germany |
| Répétition Générale, 1/9unosunove, Rome, Italy | |
| Geometries Of Intimacy (curated by Jess Wilcox & Clara Halpern), Abrons Art Center, New York, USA | |
| Retrospective, Shandanken Residency Exhibition, New York, USA | |
| 2013 | Playlist, National Academy Museum, New York, USA |
| No Name, On Stellar Rays, New York, USA | |
| From Here To There, Stedman Galleries, Rutgers University, New Jersey, USA | |
| The Road, Luis de Jesus, Los Angeles, USA | |
| Do It (Outside), curated by Hans Ulrich Obrist and ICI NY, Socrates Sculpture Park, New York, USA | |
| 2012 | Coming After, curated by Jon Davies, The Power Plant, Toronto, Canada |
| Painting Bitten By A Man: Jonathan VanDyke and Brian Kokoska, Vox Populi, Philadelphia, USA | |
| Gli Amori Dificili, Scaramouche, New York, USA | |
| Drawing From Performance, curated by Becky Kinder, 92Y Tribeca Galleries, New York, USA | |
| Searching For A Character, Part 1, Agape Enterprise, Brooklyn, New York, USA | |
| 2011 | SubStainability, The Galleries at Texas State University, San Marcos, USA |
| Skowhegan Performs, Socrates Sculpture Park, Queens, New York, USA | |
| Chain Letter, Samson Projects, Boston, USA | |
| 2010 | Half a Self, A Cave Dweller, Project Space at the former St. Cecilia’s Convent, New York, USA |
| Lush Life, Y Gallery (part of a 9-gallery exhibition), New York, USA | |
| 2009 | Like A Moth To A Flame, The Exile, Berlin, Germany |
| The Splinter Of The Mind’s Eye, Philip Slein Gallery, St. Louis, USA | |
| The Bushwick Biennial, Nurture Art and Pocket Utopia, Brooklyn, New York, USA | |
| I Like Winners: Sport and Selfhood, Shepperd University Gallery, University of Nevada, Reno, USA | |
| A Momentary Fantasy, curated by David Everitt Howe, Fruit and Flower Deli, New York, USA | |
| 2007 | Weekend Without Make-Up, curated by Jeffrey Walkowiak, PS122 Gallery, New York, USA |
| Artists Respond To Louise Nevelson [documentary with interview and images of recent work], as part of Louise Nevelson retrospective, The Jewish Museum, New York, USA | |
| Usufruct, curated by Seth Nehil, Linfield College, Oregon, USA | |
| Investigating Secret Psychological Spaces, [room-size, site-specific installation], Museum of Fine Arts, Florida State University, USA * | |
| 2006 | Frisbee, Circus Gallery, Los Angeles, USA |
| Casting Off: Gender Exploration Down South, IDKE 8 exhibition, Austin, Texas, USA | |
| 2005 | 2005 Emerging Artist Fellowship Exhibition [major outdoor work], Socrates Sculpture Park, Queens, New York, USA * |
| Projects 05 [room-size installation], Islip Art Museum, Islip, New York, USA | |
| The Traveling Prophecy Project, with Matthew Morgan, Galapagos Art Space, New York, USA | |
| 2004 | Connect The Dots, curated by David Dempewolf and Scott Rigby, Columbia University Galleries, New York, USA |
| The Warm Weather Is Holding (room-size installation), Bard Exhibition Center, Red Hook, New York, USA | |
| Strike 2, BaseKamp, Philadelphia, USA | |
| 2002 | Strike, curated by Gavin Wade, University of Wolverhampton, UK |
| AWARDS & HONORS | |
| 2011 | Grant finalist, Creative Capital |
| 2009 | Artists & Communities grant, Mid-Atlantic Arts Foundation, Baltimore, USA |
| 2007 | Joan Mitchell Fellowship, Atlantic Center for the Arts, Florida, USA |
| 2005 | Emerging Artist Fellowship, Socrates Sculpture Park, Queens, New York, USA |
| 2001 | Mayor’s Award for Outstanding Service to the City of Harrisburg, Pennsylvania, USA |
| 1996 | Rotary Ambassadorial Fellowship for year-long study and travel |
| RESIDENCIES, FELLOWSHIPS, PANELS, LECTURES | |
| 2016 | Painters & Drag Queens, Lecture, Parsons The New School, New York, USA |
| 2015 | Visiting Artist, CalArts, Los Angeles, USA |
| Self Evidence, Lecture/Performance, presented at Skowhegan Space, New York, USA | |
| Self Evidence, Lecture/Performance, presented at Tyler University, Rome as part of I Martedi Critici, Texas, USA | |
| Visiting Artist, The Corcoran School and George Washington University, Washington, D.C., USA | |
| 2014 | Visiting Artist in Residence, Krabbesholm Hojskole, Rome, Italy |
| Visiting Artist, Graduate Program of the University of the Arts, Philadelphia, USA | |
| Visiting Artist Lecture, Museum of Fine Arts, Boston, USA | |
| 2013 | Qwatz Residency Program, Rome, Italy |
| “Coming Out and Going In: (Queer) Childhood in the Era of AIDS, Reagan, and the White Cube,” Presenting at 17 Lecture Series, New York; also presented at Parsons the New School, New York, USA | |
| Visiting Artist, Krabbesholm Academy of Art, Skive, Denmark | |
| 2012 | Yaddo, Saratoga Springs, New York, USA |
| 2011 | Mildred’s Lane, Pennsylvania, Order of the Third Bird Residency, USA |
| Panelist, “Tree Time,” with PearlDamour, The Kitchen, New York, USA | |
| 2009 | Mid-Atlantic Foundation for the Arts, Artists & Communities Fellow in York, Pennsylvania, in residence at William Penn Performing Arts Institute, USA |
| 2007 | Atlantic Center for the Arts, Mentorship with artist Paul Pfeiffer, Florida, USA |
| Visiting Artist in Residence, Illinois State University, Bloomington-Normal, Illinois, USA | |
| 2006/07 | Special Faculty in Cultural Studies, The Pennsylvania Governor’s School for International Studies, Pittsburgh, USA |
| 2006 | Visiting Faculty Fellow, Department of Visual Arts, University of Chicago, USA |
| PUBLICATIONS | |
| 2015 | “Jonathan VanDyke on Paul Mpagi Sepuya,” Just Six Degrees |
| 2014 | “Jonathan VanDyke on Benny Nemerofsky Ramsay,” uncompromising tang |
| 2013 | Contributing artist, Pocket Notes, Issue 2 |
| 2012 | “Julianne Swartz,” essay in retrospective catalogue How Deep is Your, published by Scottsdale Museum of Art and deCordova Museum and Sculpture Garden |
| 2011 | “The Long Glance,” essay in Switch On, the online magazine of The Power Plant, Toronto |
| 2009 | Gloved Impediment, Artist’s Project for Drain Magazine |
| 2007 | “Looking At Art in a Time of War,” Governor’s School Journal, University of Pittsburgh |
| 2005 | “Keep the Link: A Discussion Between Julianne Swartz and Jonathan VanDyke,” FO_A_RM, NY |
| 2005 | “Surface Tension,” (photographs + text), Shifter magazine, New York |
| 2000 | “Grace Hartigan Interviewed by Jonathan VanDyke,” exhibition catalogue, Susquehanna Art Museum |