IVAN GRUBANOV | |
1976 | born in Belgrade, Serbia |
Lives and works in Belgrade, Serbia | |
2008 | Casa de Velazquez, Madrid, Spain |
2005–06 | Delfina Studio Programme, London, UK |
2002–03 | RABK / Dutch Ministry of Education, Culture and Science, Amsterdam, Netherlands |
Rijksakademie van Beeldenden Kunsten, Amsterdam, Netherlands | |
1996–01 | Academy of Fine Arts, Belgrade, Yugoslavia |
SOLO SHOWS (SELECTION) | |
2019 | The Return of the National, Loock Galerie, Berlin, Germany |
2017 | Painting The Nation, Kulturni Centar Beograda, Belgrade, Serbia |
2016 | Smoke Nation Screen, Ron Mandos Gallery, Amsterdam, Netherlands |
2015 | United Dead Nations, Serbian Pavilion at La Biennale di Venezia, the 56th International Art Exhibition, Venice, Italy |
Behind The Smokescreen, Loock Galerie, Berlin, Germany | |
Ivan Grubanov, Stand von Loock Galerie, vienna contemporary, Vienna, Austria | |
2013 | Dead Flags, Loock Galerie, Berlin, Germany |
2012 | Current Pasts (with Vangelis Vlahos, curated by Daphne Vitali), National Museum of Contemporary Art, Athens, Greece |
Smokescreens, Loock Galerie, Berlin, Germany | |
2010 | Haunting Memory (associated project of the Architecture Trienale), MARZ Galeria, Lisbon, Portugal |
Seven Studies For A Memorial, Loock Galerie, Berlin, Germany | |
2009 | Center For Cultural Decontamination (solo presentation within the 50th October Salon), Belgrade, Serbia |
2008 | Evil Painter, Loock Galerie, Berlin, Germany |
Laboratorio 987, MUSAC - Museo de arte contemporaneo de Castilla y Leon, (mit Angel Rubia), Leon, Spain | |
2007 | Non-Institutional, Le Grand Café d´Arte Contemporain, Saint-Nazaire, France |
Gallery Of The Cultural Center Of Belgrade, Belgrade, Serbia | |
2006 | Nogueras Blanchard Gallery, Barcelona, Spain |
2005 | Stroom Contemporary Art Center, The Hague, Netherlands |
Visitor, Museum of Contemporary Art, Belgrade, Serbia | |
2004 | Study Of My Father, A Relation To The Origin, Ron Mandos Gallery, Rotterdam, Netherlands |
Visitor, Lawrence O´Hana Gallery, London, UK | |
Cages, Expodium, Utrecht, Netherlands | |
2001 | Gallery of Contemporary Art, Pancevo, Serbia-Montenegro |
1999 | Zlatno Oko, Novi Sad, Serbia-Montenegro |
GROUP SHOWS (SELECTION) | |
2019 | When the Present is History, DEPO/Tütün Deposu, Istanbul, Turkey |
2018 | The World on Paper, PalaisPopulaire, Berlin, Germany |
2015 | Constellation, Serbian Cultural Center, Paris, France |
Study for a Memorial, Outside Gallery Apolo, Pancevo, Serbia | |
Bonton: Dobro Odrzavanje I Lepo Ponasanje, Gallery of the Cultural Center of Belgrade, Belgrade, Serbia | |
New Horizons, Naval Heritage Collection, Porto Montenegro, Tivat, Montenegro | |
2014 | 16. Pancevo Biennale, Pancevo, Serbia |
Diez Años Después, MUSAC - Museo de arte contemporaneo de Castilla y Leon), Leon, Spain | |
In Bocca al Lupo, Crepi Crepi, Cultural Center of Cyprus in Athens, Athens, Greece | |
Road To Europe/I Want To Speak About The War, Clovic Castle Gallery, Zagreb, Croatia | |
Enacting Protest?, STUK Kunstencentrum, Leuven, Belgium | |
The Good Cause, Stroom Center for Contemporary Art, The Hague, Netherlands | |
Squares, Francois Ghebaly Gallery, Los Angeles, USA | |
Celebrities, Loock Galerie, Berlin, Germany | |
2013 | Der Geist In Vakuum, 267 Quartiere für Zeitgenössische Kunst & Fotografie, Braunschweig, Germany |
Wir Überschreiten Den Rubikon, Ostrale´013, Dresden, Germany | |
Genesis, 9. Inspiracje Festival, Szczecin, Poland | |
We Are Everything For Each Other (curated by Maja Ciric), Lanchester Gallery Projects, Coventry, UK | |
Preslisavanje 10 (curated by Sasa Janjic, Miroslav Karic, Slobodan Jovanovic), Remont Gallery, Belgrade, Serbia | |
2012 | Reality Bites (curated by Eija Aarnio, Leevi Haapala, Saara Hacklin, Patrik Nyberg, Jonna Strandberg), Kiasma Museum of Contemporary Art, Helsinki, Finland |
A Gathering (curated by Maria Thalia and Olga Hatzidaki), Macedonian Museum of Contemporary Art, Thessaloniki, Greece | |
Referencing History, Green Art Gallery, Dubai, UAE | |
That Passes Between Us (curated by Lala Rascic), Good Children Gallery, New Orleans, USA | |
Private View, Loock Galerie, Berlin, Germany | |
2011 | The Walls That Divide Us (curated by Miguel Amado), Apex Art, New York, USA |
DONUMENTA 2011- Serbien: Views / Visions, Kunstforum Ostdeutsche Galerie, Regensburg, Germany | |
The 3rd International Festival of Contemporary Art of Algiers (FIAC) (curated by Nadira Laggoune), Museum of Modern and Contemporary Art, Algiers, Algeria | |
History In Art (curated by Maria Anna Potocka), MOCAK - Museum of Contemporary Art Krakow, Poland | |
Selektionseffekte, Blainsouthern Berlin, Germany | |
Thin Air, MARZ Galeria, Lisbon, Portugal | |
2010 | Drawing Documents (curated by Anselm Franke), Kunsthal Extra City, Antwerpen, Belgium |
Politics of Art (curated by Anna Kafetsi), National Museum of Contemporary Art, Athens, Greece | |
Morality, Act 3, and the Moral of the Story is (curated by Zoe Gray), Witte de With, Rotterdam, Netherlands | |
Morality, Act 3, and the Moral of the Story is (curated by Zoe Gray), Apex Art, New York, USA | |
All That Is Solid Melts Into Air: The Sicoal at the Berardo Collection (curated by Miguel Amado), Museu Colecção Berardo, Lissabon, Portugal | |
2009 | Where Everything Is Yet To Happen, 2nd Spa Port Biennial (curated by Antonia Majaca, Ivana Bago, Anselm Franke), Banja Luka, Bosnia and Herzegovina |
The Matrix: An Unstable Reality, 28. Biennial of Graphic Arts, Ljubljana, Slowenia | |
Monument To Transformation, City Gallery Prague, Praha, Czech Republic | |
Courtisane Festival, Film, Video & Media Art, Arts Center Vooruit, Gent, Belgium | |
Los Puertas Abiertas, Casa de Velazquez, Madrid, Spain | |
Solo Projects, ARCO, Madrid, Spain | |
2008 | 3rd Bucharest Biennial of Young Artists (curated by Ami Barak), Bukarest, Romania |
1st Spa Port Biennale, Banja Luka, Bosnia and Herzegovina | |
No Leftovers, Kunsthalle Bern, Bern, Switzerland | |
Signals in the Dark: Art in the Shadow of War,, Blackwood Gallery University of Toronto at Mississauga, Toronto, Canada | |
Headlines & Footnotes, Henie Onstad Art Center, Oslo, Norway | |
Italy, Italien, Wlochy, ARCOS Contemporary Art Museum Sannio, Benevento, Italy | |
Between The Images, Iaspis, Stockholm, Sweden | |
Wasteland, Hattyúház Galéria, Pécs, Hungary | |
Selective Knowledge, Institute for Contemporary Art and Thought, Athen, Greece | |
2007 | 10th International Istanbul Biennial, Istanbul, Turkey |
Heterotopias (curated by Jan Erik Lundstorm), 1st Thessaloniki Biennale, Greece | |
Drawing Typologies (curated by Roel Arkesteijn), Stedelijk Museum CS, Amsterdam, Netherlands | |
Ground Lost, Forum Stadtpark, Graz, Austria | |
Alabama, Office Baroque, Antwerpen, Belgium | |
Every Wind That Blows, Smart Project Space, Amsterdam, Netherlands | |
Speakers, Aeroplastics Gallery, Amsterdam, Netherlands | |
2006 | 12th Pancevo Biennial, Pancevo, Serbia-Montenegro |
Histories (curated by Sophie Legrandjacques), Le Grand Café, Saint-Nazaire, France | |
Common Destinations (curated by Katherine Carl), Drawing Center, Selections Fall, New York, USA | |
Around The World In 80 Days (curated by Margot Heller, Jens Hoffman, Kit Kammonds and Claire Fitzsimmons), South London Gallery, London, UK | |
Everyday Every Other Day, Blackwood Gallery, Mississauga, Canada | |
Interrupted Histories, Moderna Galerija, Ljubljana, Slowenia | |
Villa Jelmini, Kunsthalle Bern, Bern, Switzerland | |
Sweet Taboos (curated by Edi Muka), Apex Art, New York, USA | |
PSW AR, Pixels of Reality, Amsterdam, Netherlands | |
Affinity By Choice, KCB Belgrade, Belgrad, Serbia-Montenegro | |
2005 | Sweet Taboos, 2nd Tirana Bienale, Tirana, Albania |
MANIF D´ART, 3rd Biennial of Quebec, Quebec, Canada | |
Information/Transformation, Extra City, Antwerpen, Belgium | |
Off-Key, Kunsthalle Bern, Bern, Switzerland | |
20/21, Press to Exit Project Space, Skopje, Macedonia | |
20/21, Zvono Gallery, Belgrade, Serbia-Montenegro | |
Values, Espace Culturel Francois Mitterand, Perigueux, France | |
2004 | Untitled As Yet, The Yugoslav Biennial of Young Artists, Vrsac, Serbia-Montenegro |
Values, 11th Biennial of Visual Arts, Pancevo, Serbia-Montenegro | |
The World Is Fine, we Ourselves Unfortunately Somewhat Less, De Appel, Amsterdam, Netherlands | |
Coded Cultures, Freiraum, Museumsquartier, Vienna, Austria | |
Video Studio, Museum Beelden aan Zee, Scheveningen, Den Haag, Netherlands | |
ART Rotterdam, Smart Project Space Stand, Rotterdam, Netherlands | |
SCHOLARS/FELLOWSHIPS | |
2005 | Delfina Studio Trust Award, London, UK |
2002-03 | RABK / Dutch Ministry of Education, Culture and Science, Amsterdam, Netherlands |
2001 | 'Award of 31st Salon of Pancevo' for video, Pancevo, Serbia-Montenegro |
2000 | 'Award of 30th October Salon for video artwork' Pancevo, Serbia-Montenegro |
1999 | 'Award for poster' World's Health Organization, Belgrade, Serbia-Montenegro |
1997 | 'Award for best drawing', Patagonija Magazine, Vrsac, Serbia-Montenegro |
PERFORMANCES | |
2006 | Affinity By Choice, Speech in front of the National Parliament Building, Belgrade, Serbia-Montenegro |
2003 | W139 (with Paulina Olowska), Amsterdam, Netherlands |
2000 | Soldier's Tale (Performance in Stravinsky’s opera), Beton-Hala Theatre, Belgrade, Serbia-Montenegro |
FILM/VIDEO SCREENINGS | |
2004 | Neuro, Muffathalle, München, Germany |
VPRO Television, Smart Project Space selection, Netherlands | |
2001 | FLUX 01, Belgrade, Serbia-Montenegro |
ARTme, Academy of Fine Arts Gallery, Sarajevo, Bosnia and Herzegovina | |
Mikrokino Fest, SKC, Belgrade, Serbia-Montenegro | |
2000 | VideoGong Festival, Culture House Gorizia, Gorizia, Italy |
hEXPO, Kapelica Gallery, Ljubljana, Slovenia | |
ÖFFENTLICHE SAMMLUNGEN | |
MUSAC (Museu de Arte Contemporaneo de Castilla y Leon), Leon, Spain | |
Collection Kunstmuseum Bern, Switzerland | |
Deutsche Bank Collection, London, UK | |
MSUB (Collection of the Museum of Contemporary Art Belgrad), Belgrade, Serbia | |
Coleección Esencias, Barcelona, Spain | |
Coleeción Vilardell, Mallorca, Spain | |
Collection of the Gallery of Contemporary Art Pancevo, Pancevo, Serbia-Montenegro |