A Plot of Undiscovered Ground 02, 2020, stainless steel cart, neons with accessories, 190 x 130 x 70 cm, unique
Moments in Never 04, 2020, plexiglass and stainless steel, spotlight, 135 x 136 x 50 cm, unique
Natalia Stachon, A Plot of Undiscovered Ground 01, 2019, stainless steel, Neon, multi-piece und variable, 100cm x 700cm x 70cm
Natalia Stachon, Moments in Never 01, 2019, Plexiglas, stainless steel (unique), 140cm x 100cm x 100cm
Natalia Stachon, Moments in Never 02, 2019, Plexiglas, stainless steel, 140cm x 100cm x 100cm
Natalia Stachon, Visions and Revisions 05, 2018, Diptych left, colored pencil on paper, mounted on Alu-Dibond, 56cm x 42cm
Natalia Stachon, Visions and Revisions 05, 2018, Diptych right, colored pencil on paper, mounted on Alu-Dibond, 56cm x 42cm
Natalia Stachon, Visions and Revisions 09, 2018, Diptych left, colored pencil on paper, mounted on Alu-Dibond, 56cm x 42cm
Natalia Stachon, Visions and Revisions 09, 2018, Diptych right, colored pencil on paper, mounted on Alu-Dibond, 56cm x 42cm
Natalia Stachon, Mind Screens of the Earth, 2017, Neons with accessories, powdered steel, stainless steel, wood, 120cm x 80cm x 43cm, Edition 1/3+2AP
Natalia Stachon, The History of Aberrations 10, 2017, Charcoal on mounted paper, 121cm x 176cm
Natalia Stachon, The History of Aberrations 09, 2017, Charcoal on mounted paper, 95cm x 115cm
Natalia Stachon, Study for The History of Aberrations (10), 2017, Charcoal on mounted paper, 70cm x B 50cm
Natalia Stachon, The History of Aberrations 08, 2017, Charcoal on mounted paper, 95cm x 115cm
Natalia Stachon, The History of Aberrations, 2015, charcoal on paper, 121 x 176 cm
Natalia Stachon, The History of Aberrations 04, 2014, charcoal on paper, aufgezogen auf Alu Dibond, 95cm x 115cm
Natalia Stachon, The History of Aberrations 05, 2014, charcoal on paper, 95 x 115 cm
Natalia Stachon, Blue silence in the turnstile, 2016, multipart installation, dimensions variable
Natalia Stachon, NEVER WAS MINE (inspired by William S. Burroughs), 2015, aluminum, rubber, stainless steel, neon, 100cm x 80cm x 16cm, (Foto: Bernd Borchardt)
Natalia Stachon, THIS DEAD WHISTLE STOP (inspired by William S. Burroughs), 2015, aluminum, rubber, stainless steel, neon, 97cm x 63cm x 14cm, (Foto: Bernd Borchardt)
Natalia Stachon, Blue Silence in the Turnstile, 2015, mixed media installation
Natalia Stachon, Parade of Remains, 2014, dyed rope, stainless steel, steel, rubber
Natalia Stachon, Parade of Remains, 2014 (detail)
Installation view, Einknicken oder Kante zeigen, Kunstraum Alexander Bürkle, 2015
Natalia Stachon, Raj, 2011, polished copper sheets, A4 size each, overall dimensions variable, ed. 1/1
Installation view, Natalia Stachon, The History of Aberrations, Undconsorten, 2014
Natalia Stachon, Untitled 01, 2013, set of 7 drawings, pencil on paper, 35 x 45 cm, each
Installation view, Natalia Stachon, SPACES, Kunstraum Alexander Bürkle, Freiburg, 2013
Natalia Stachon, Elude (Detail), 2012
Installation view, Wie kommt das Neue in die Welt?, Haus am Waldsee, Berlin, 2012
Natalia Stachon, Container 08, 2013, ink-print and pencil on paper, 33 x 48,3 cm, ed. of 3 + 2AP
Natalia Stachon, Container 09, 2013, ink-print and pencil on paper, 60 x 80 cm, ed. of 3 + 2AP
Installation view, Natalia Stachon, Conceptual Tendencies II, Daimler Contemporary, Berlin, 2013
Natalia Stachon, Drift 03 (Detail), 2012, 6 plexiglass tubes, each 250x15 cm, 2 tension straps, dimensions variable ed. 1/1
Natalia Stachon, Drift 03 (Detail), 2012
Installation view, Natalia Stachon, Awaiting oblivion, Loock Galerie, Berlin, 2012
Natalia Stachon, Plot (Detail), 2012, stainless steel hooks, overall dimensions variable, Variation 1/3