| HOLLY ZAUSNER | |
| 1951 | Geboren in New Jersey NY, USA |
| Holly Zausner lebt und arbeitet in New York und Berlin | |
| EINZELAUSSTELLUNGEN (AUSWAHL) | |
| 2022 | Psychostasia, Palazzo Michiel dal Brusa, Venedig, Italien |
| 2016 | Holly Zausner, Moore College of Art and Design, Philadelphia, USA |
| 2015 | Unsettled Matter, Loock Galerie, Berlin |
| Unsettled Matter, Postmasters, New York, USA | |
| 2012 | A Small Criminal Enterprise, Postmasters, New York, USA |
| 2011 | Unseen, University of Tennessee, Knoxville, USA |
| 2010 | Re-Edit, Galerie Wohnmaschine, Berlin |
| 2008 | Film Drawings, Galerie Wohnmaschine, Berlin |
| 2007 | Unseen, Bode-Museum, Berlin |
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| Unseen, Galerie Wohnmaschine, Berlin |
| 2005 | Second Breath, Neue Nationalgalerie, Berlin |
| Second Breath, Galerie Wohnmaschine, Berlin | |
| 2004 | The Beginning, Barbier-Mueller Museum, Barcelona, Spanien |
| Neue Nationalgalerie, Berlin | |
| 2003 | The Beginning, Galerie Wohnmaschine, Berlin |
| The New Beginning, Kunstverein Göttingen im Künstlerhaus, Göttingen | |
| 2002 | G-Woman/G-Man, Württembergischer Kunstverein, Stuttgart |
| 2001 | G-Woman, Galerie Wohnmaschine, Berlin |
| 1999 | Galerie Wohnmaschine, Sculpture Statement Art Cologne, Köln |
| 1998 | Caren Golden Fine Art, New York, USA |
| 1997 | More Lost Illusions, Galerie Wohnmaschine, Berlin |
| More Lost Illusions, Verein zur Förderung Künstlerischer Projekte mit gesellschaftlicher Relevanz e.V., Wiesbaden | |
| Lost Illusions, Gramercy International Contemporary Art Fair, New York, USA | |
| 1996 | Blue Angel, Galerie Wohnmaschine, Berlin |
| 1992 | Sculpture Center, New York, USA |
| GRUPPENAUSSTELLUNGEN (AUSWAHL) | |
| 2015 | The Transportation Business, kuratiert von Gregory Volk, Jane Lombard Gallery, New York, USA |
| 2013 | Coming Together: Surviving Sandy, kuratiert von Phong Bui, Brooklyn, New York, USA |
| 2012 | Cinemania, The Herbert F. Johnson Museum of Art, Cornell University, New York, USA |
| 2012 | Shelf Life, Berlin Collective, Berlin |
| 2007 | Agitation And Repose, Tanya Bonakdar Gallery, New York, USA |
| 2005 | War, Millennium Museum, Peking, China |
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| Skirting The Line: Conceptual Drawing, DePauw University, Greencastle, USA |
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| Realism Reversed, gallery Christian Dam, Kopenhagen, Dänemark, Oslo, Finnland |
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| Loop 05, Barcelona, Spanien |
| 2004 | Film Program, nGbK, Berlin |
| 2003 | Himmelschwer, Landesmuseum Joanneum, Graz, Österreich, und Brandts Klaedefabrik, Odense, Dänemark |
| 2002 | Un Rapport D'oeil, Galerie Müller-Roth, Stuttgart |
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| Log-in/Locked out, Akademie der Künste/Academy of Arts, Berlin |
| 2001 | Horizont, Art Agents Gallery, Hamburg |
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| Once, Then Something, Sculpture Center, New York, USA |
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| Face Off, Art Cologne, Köln |
| 2000 | Group Show, Galerie Hafemann, Wiesbaden |
| 1998 | Fashioned, White Box, New York, USA |
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| Brite Magic, Islip Art Museum, East Islip, USA |
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| Shake, PS 122, New York, USA |
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| Ordinary/Extraordinary: Anne Agee, Aric Obrosey, and Holly Zausner, |
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| Johnson County Community College Gallery of Art, Overland Park, USA |
| 1997 | Strange Days, Caren Golden Fine Arts, New York, USA |
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| Canny, Art Projects International, New York, USA |
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| Projectroom, Galerie Margrit Gass, Basel, Schweiz |
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| Flex Color, kuratiert von Raphael Rubinstein, Apex Art, New York, USA |
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| White Out, Workspace, New York, USA |
| 1995 | Ooze, Black and Heron Space, New York, USA |
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| Between This And That, 8th Floor Gallery, New York, USA |
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| Table Of Contents, 450 Broadway Gallery, New York, USA |
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| Body As Metaphor, Bard College, Annandale on Hudson, New York, USA |
| 1994 | Random Access, Ranmarine Gallery, Long Island City, New York, USA |
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| Reverence For Clay/Irreverence, Trans Hudson Gallery, Jersey City, New Jersey, USA |
| 1993 | Bodily, Penine Hart Gallery, New York, USA |
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| Suspended Figure II, Saint Peter’s Church, New York, USA |
| 1990 | Image, Object Abstracted, City University Graduate Center, New York, USA |
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| An Obscure Object To Desire, Marymount College Gallery, New York, USA |
| 1989 | Emerging Sculptors, Sculpture Center, New York, USA |
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| Two Person Show, The Gallery, New York, USA |
| 1987 | Group Exhibition, Bond Gallery, New York, USA |
| SAMMLUNGEN | |
| Neue Nationalgalerie, Berlin | |
| Centre national d’art et de culture Georges-Pompidou, Paris, France | |
| Neuer Berlin Kunstverein e.V., Berlin, Germany | |
| PERFORMANCES | |
| 2005 | Desktop War, Millennium Museum, Beijing, China |
| 2004 | Deutsches Historisches Museum, Berlin |
| 2003 | Landesmuseum Joanneum, Graz, Österreich |
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| Brandts Klaedefabrik, Odensee, Dänemark |
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| Goettinger Kunstverein, Göttingen |
| 2002 | G-Woman/G-Man, Württembergischer Kunstverein, Stuttgart |
| AUSZEICHNUNGEN | |
| 2006 | DAAD Film Grant, Berlin |
| 1997 | Verein zur Förderung künstlerischer Projekte mit gesellschaftlicher Relevanz e.V., Wiesbaden |
| 1993 | Artist’s Fellowship, New York Foundation for the Arts, Sculpture |
| BIBLIOGRAPHIE | |
| 2012 | Rubinstein, Raphael. "In Conversation": Holly Zausner, Brooklyn Rail |
| 2008 | McElheny, Josiah, "Holly Zausner's Bodies", BOMB, Herbst |
| 2004 | Rubinstein, Raphael, "Watching the Skies", Art in America, November |
| 2003 | Cardella, Avis, "ueber alles", British Vouge, Dezember |
| Rubinstein, Raphael, "Plychrome Profusion, Selected Art Criticism: 1990-2002", Hard Press Editions | |
| 2002 | Schmid, Karlheinz, "Die neuen Aufsteigerinnen", Kunstzeitung, Januar |
| "Die neuen Aufsteigerinnen", Kunstzeitung, Januar | |
| Charley Magazine, Charley 01 | |
| 2001 | Stiller, Veit, "Der rätselhafte Tanz der gelben Gummischlangenfrauen", Die Welt, November |
| Werneburg, Brigitte, "Eine endlose, niemals endgültige Form", Die Tageszeitung, Oktober | |
| Jana, Reena, "Once Then Something", Time Out New York, 19-26 April | |
| Johnson, Ken, "Art in Review: Once Then Something", The New York Times, 20 April | |
| Levin, Kim, The Village Voice, 17 April | |
| Levin, Kim, The Village Voice, 6 März | |
| Russ, Sabine and Volk, Gregory, "Once, Then Something", New York Arts, März | |
| 1999 | Nikolova, Milena, "Reviews", Flash Art, November-Dezember |
| Koplos, Janet, "Holly Zausner at Caren Golden", Art in America, September | |
| Muller, Katrina Bettina, "Das Wesen des Abwesenden", Der Tagesspiegel, 26 Juni | |
| Henze, Nikola, "Klinische Suenden", Berliner Morgenpost, 24 Juni | |
| Bakke, Erik, "Studio Visit with Holly Zausner", NY ARTS, Juni | |
| 1998 | Levin, Kim, "Voice Choices", The Village Voice, 25 November |
| Muller, Mario M, "The Syntax of Media: Daniella Dooling at Anna Kustera Gallery" and Newhall, Edith, “Talent", New York Magazine, 16 November | |
| "Holly Zausner at Caren Golden Fine Art", Review, 15 November | |
| Johnson, Ken, "Holly Zausner", The New York Times, 13 November | |
| "Critic’s Picks: Shake", Time Out New York, 18-25 Juni | |
| Walz, Cara, "Beautiful Pop", Pitch Weekly, 2-8 April | |
| Thorson, Alice, "A Way Out of the Ordinary", The Kansas City Star, 29 März | |
| Goldman, Christopher, "Jewish artist part of modern art exhibit at JCCC through April | |
| 29", The Kansas City Jewish Chronicle, 20 März | |
| Johnson, Ken, "Art in Review: Strange Days", The New York Times, 2 Januar | |
| 1997 | Levin, Kim, "Strange Days – Voice Choice", The Village Voice, December 23 |
| Werneburg, Brigitte, "Klare sprachliche Unklarheit und andere Trübheiten", TAZ, 11 Oktober | |
| Wünnenberg, Inge, "Dynamik des Früstücks", Frankfurter Allgemeine, 21 Juli | |
| Phillips, Christopher, "Berlin ’97: Surge to the Mitte", Art in America, Januar | |
| Fiedler, Tanja, "Holly Zausner", Ticket, Nummer 42 | |
| Fiedler, Tanja, "Pretty in Pink: Holly Zausner's schöne neue Welt aus Gips", Ticket, Nummer 41 | |
| 1996 | Muller, Katrin Bettina, "Neues aus Berliner Galerien", Tip, 27 Juni |
| Ebeling, Knut, Berliner Zeitung, 12 Juni | |
| 1995 | Watkins, Eileen, "Reviews", Newark Star Ledger, 3 September |
| Raynor, Vivien, "Diverse Visions, Common Ground", The New York Times, 30 Juli | |
| 1994 | Melrod, George, "New York Reviews", Sculpture, Januar/Februar |
| 1993 | Watkins, Eileen, "Reviews", Newark Star Ledger, 5 Dezember |
| Zimmer, William, "Sculpture at Two Displays in Wayne", The New York Times, 5 Dezember | |
| Raven, Arlene, "Days With Art", The Village Voice, 5 Oktober | |
| Melrod, George, "New York Reviews", Sculpture, Juli/August | |
| KATALOGE | |
| 2007 | Stemmrich, Gregor. "unseen". Berlin, Bode-Museum |
| 2005 | Johnson, Kaytie. Skirting the Line: Conceptual Drawing. Greencastle, IN, DePauw University |
| Petersen, Helen. Reversed Realism. Copenhagen, Denmark, Christian Dam Gallery | |
| 2001 | Christofori, Ralf. Blending Opposites. Berlin, Galerie Wohnmaschine |
| Schwabsky, Berry. About Plasticity. Berlin, Galerie Wohnmaschine | |
| 1998 | Arning, Bill. Ordinary/Extraordinary: Anne Agee, Aric Obrosey, Holly Zausner. Overland Park, |
| KS: Johnson County Community College Gallery of Art | |
| 1997 | Rubinstein, Raphael. Flex Color. New York, NY, Apex Art |
| Schwabsky, Barry. White Out. New York, NY, The Workspace | |
| 1996 | Rubinstein, Raphael. Holly Zausner. Berlin, Galerie Wohnmaschine |
| 1993 | Princenthal, Nancy. Idio Cognito. New York, Police Building |
| 1992 | Weld, Allison. Holly Zausner. New York, Sculpture Center |
| 1990 | Griffiths, Marian. Four Sculptors. New York, Triplex Gallery, BMCC |
| Russ, Sabine, "Jesus died for somebody’s sins, but not mine", Berlin | |