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1951
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geboren in New Jersey NY, USA
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Holly Zausner lebt und arbeitet in New York und Berlin
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EINZELAUSSTELLUNGEN (AUSWAHL)
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2012
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A Small Criminal Enterprise, Postmasters, New York
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2011
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unseen, University of Tennessee, Knoxville, USA
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2010
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Re-Edit, Galerie Wohnmaschine, Berlin
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2008
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Film Drawings, Galerie Wohnmaschine, Berlin
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2007
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Unseen, Bode-Museum, Berlin
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Unseen, Galerie Wohnmaschine, Berlin
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2005
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Second Breath, Neue Nationalgalerie Berlin
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Second Breath, Galerie Wohnmaschine, Berlin
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2004
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The Beginning…,Barbier-Mueller Museum, Barcelona, Spanien
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Neue Nationalgalerie, Berlin
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2003
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The Beginning…, Galerie Wohnmaschine, Berlin
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The New Beginning, Kunstverein Göttingen im Künstlerhaus, Göttingen
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2002
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G-Woman/ G-Man, Württembergischer Kunstverein, Stuttgart
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2001
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G-Woman, Galerie Wohnmaschine, Berlin
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1999
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Galerie Wohnmaschine, Sculpture Statement Art Cologne, Köln
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1998
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Caren Golden Fine Art, New York, NY, USA
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1997
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More Lost Illusions, Galerie Wohnmaschine, Berlin
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More Lost Illusions, Verein zur Förderung Künstlerischer Projekt mit gesellschaftlicher Relevanz e.V., Wiesbaden, Deutschland
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Lost Illusions, Gramercy International Contemporary Art Fair, New York, NY, USA
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1996
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Blue Angel, Galerie Wohnmaschine, Berlin
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1992
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Sculpture Center, New York, NY, USA
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GRUPPENAUSSTELLUNGEN (AUSWAHL)
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2012
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Cinemania, The Herbert F.Johnson Museum of Art, Cornell University, NY, USA
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2012
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Shelf Life, Berlin Collective, Berlin
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2007
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Agitation and Repose, Tanya Bonakdar Gallery, New York, NY, USA
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2005
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War, Millennium Museum, Peking, China
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Skirting the Line: Conceptual Drawing, DePauw University, Greencastle, IN, USA
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Realism Reversed, gallery Christian Dam, Kopenhagen, Dänemark, Oslo, Finnland
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Loop 05, Barcelona, Spanien
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2004
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Film Program, NGBK, Berlin, Deutschland
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2003
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Himmelschwer, Landesmuseum Joanneum, Graz, Österreich, und Brandts Klaedefabrik, Odense, Dänemark
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2002
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UN RAPPORT D'OEIL, Galerie Müller-Roth, Stuttgart, Deutschland
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Log-in/ Locked out, Akademie der Künste/Academy of Arts, Berlin, Deutschland
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2001
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Horizont, Art Agents Gallery, Hamburg, Deutschland
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Once, Then Something, Sculpture Center, New York, NY, USA
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Face off, Art Cologne, Deutschland
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2000
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Group Show, Galerie Hafemann, Wiesbaden, Deutschland
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1998
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Fashioned, White Box, New York, NY, USA
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Brite Magic, Islip Art Museum, East Islip, NY, USA
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Shake, PS 122, New York, NY, USA
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Ordinary/Extraordinary: Anne Agee, Aric Obrosey, and Holly Zausner,
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Johnson County Community College Gallery of Art, Overland Park, KS, USA
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1997
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Strange Days, Caren Golden Fine Arts, New York, NY, USA
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Canny, Art Projects International, New York, NY, USA
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Projectroom, Galerie Margrit Gass, Basel, Schweiz
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Flex Color, Apex Art, New York, NY. Kuratiert von Raphael Rubinstein.
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White Out, Workspace, New York, NY, USA
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1995
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Ooze, Black and Heron Space, New York, NY, USA
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Between This and That, 8th Floor Gallery, New York, NY, USA
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Table of Contents, 450 Broadway Gallery, New York, NY, USA
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Body as Metaphor, Bard College, Annandale on Hudson, NY, USA
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1994
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Random Access, Ranmarine Gallery, Long Island City, NY, USA
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Reverence for Clay/Irreverence, Trans Hudson Gallery, Jersey City, NJ, USA
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1993
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Bodily, Penine Hart Gallery, New York, NY, USA
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Suspended Figure II, Saint Peter’s Church, New York, NY, USA
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1990
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Image, Object Abstracted, City University Graduate Center, New York, NY, USA
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An Obscure Object to Desire, Marymount College Gallery, New York, NY, USA
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1989
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Emerging Sculptors, Sculpture Center, New York, NY, USA
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Two Person Show, The Gallery, New York, NY, USA
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1987
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Group Exhibition, Bond Gallery, New York, NY, USA
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PERFORMANCES
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2005
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Desktop War, Millennium Museum, Beijing, China
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2004
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Deutsches Historisches Museum, Berlin, Deutschland
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2003
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Landesmuseum Joanneum, Graz, Österreich
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Brandts Klaedefabrik, Odensee, Dänemark
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Goettinger Kunstverein, Göttingen, Deutschland
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2002
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G-Woman/ G-Man, Württembergischer Kunstverein, Stuttgart, Deutschland
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AUSZEICHNUNGEN
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1997
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Verein zur Förderung künstlerischer Projekte mit gesellschaftlicher Relevanz e.V., Wiesbaden, Deutschland
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1993
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Artist’s Fellowship, New York Foundation for the Arts, Sculpture
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BIBLIOGRAPHIE
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Cardella, Avis “ueber alles”, British Vouge, Dezember 2003
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Charley Magazine, Charley 01, 2002
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“Die neuen Aufsteigerinnen”, Kunstzeitung, Januar 2002
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Bakke, Erik. “Studio Visit with Holly Zausner””, NY ARTS, Juni 1999
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“Critic’s Picks: Shake,” Time Out New York, 18.-25. Juni 1998
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Ebeling, Knut. Berliner Zeitung, 12. Juni 1996
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Fiedler, Tanja. “Holly Zausner,” Ticket, Number 42, 1997
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Fiedler, Tanja. “Pretty in Pink: Holly Zausner’s schöne neue Welt aus Gips,” Ticket, Number 41, 1997
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Goldman, Christopher. “Jewish artist part of modern art exhibit at JCCC through April 29,” The Kansas City Jewish Chronicle, 20. März 1998
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Henze, Nikola, “ Klinische Suenden,”Berliner Morgenpost, 24. Juni1999
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Jana, Reena. “Once Then Something”, Time Out New York, 19.-26. April 2001
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Johnson, Ken. “Art in Review: Once Then Something”, The New York Times, 20. April 2001
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Johnson, Ken. “Holly Zausner,” The New York Times, 13. November 1998
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Johnson, Ken “Art in Review: Strange Days,” The New York Times, 2. Januar 1998
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Koplos, Janet, “Holly Zausner at Caren Golden”, Art in America, September 1999
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Levin, Kim. The Village Voice, 17. April 2001
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Levin, Kim. The Village Voice, 6. März 2001
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Levin, Kim. “Voice Choices,” The Village Voice, 25. November 1998
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Levin, Kim.“Strange Days – Voice Choice,” The Village Voice, 23. Dezember 1997
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McElheny, Josiah “Holly Zausner's Bodies ”, BOMB, Herbst 2008
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Melrod, George. “New York Reviews,” Sculpture, Januar/Februar 1994
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Melrod, George. “New York Reviews,” Sculpture, Juli/August 1993
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Muller, Katrina Bettina,”Das Wesendes Abwesenden,”Der Tagespiegel, 26. Juni 1999.
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Muller, Katrin Bettina. “Neues aus Berliner Galerien,” Tip, 27. Juni 1996
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Muller, Mario M. “The Syntax of Media: Daniella Dooling at Anna Kustera Gallery and Holly Zausner at Caren Golden Fine Art,” Review, November 15, 1998
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Newhall, Edith. “Talent,” New York Magazine, 16. November 1998
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Nikolova, Milena. “Reviews,” Flash Art, November-Dezember 1999
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Phillips, Christopher. “Berlin ’97: Surge to the Mitte,” Art in America, Januar 1997.
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Raven, Arlene. “Days With Art,” The Village Voice, 5. Oktober 1993
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Raynor, Vivien. “Diverse Visions, Common Ground,” The New York Times, 30. Juli 1995.
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Rubinstein, Raphael, “Watching the Skies”, Art in America, November 2004
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Rubinstein, Raphael, “Plychrome Profusion, Selected Art Criticism: 1990-2002”, Hard Press Editions, 2003
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Russ, Sabine and Volk, Gregory. “Once, Then Something”, New York Arts, März 2001
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Schmid, Karlheinz. “Die neuen Aufsteigerinnen”, Kunstzeitung, Januar 2002
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Stiller, Veit. “Der rätselhafte Tanz der gelben Gummischlangenfrauen”, Die Welt, November , 2001
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Thorson, Alice. “A Way Out of the Ordinary,” The Kansas City Star, March 29, 1998
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Walz, Cara. “Beautiful Pop,” Pitch Weekly, 2.-8. April 1998
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Watkins, Eileen. “Reviews,” Newark Star Ledger, 3. September 1995
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Watkins, Eileen. “Reviews,” Newark Star Ledger, 5. Dezember 1993
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Werneburg, Brigitte. “Eine endlose, niemals endgültige Form”, Die Tageszeitung, Oktober 2001
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Werneburg, Brigitte. “Klare sprachliche Unklarheit und andere Trübheiten,” TAZ, 11. Oktober 1997
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Wünnenberg, Inge. “Dynamik des Früstücks,” Frankfurter Allgemeine, 21. Juli 1997
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Zimmer, William. “Sculpture at Two Displays in Wayne,” The New York Times, 5. Dezember 1993
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KATALOGE
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Stemmrich, Gregor. "unseen". Berlin, Germ,any, Bode-Museum, 2007
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Arning, Bill. Ordinary/Extraordinary: Anne Agee, Aric Obrosey, Holly Zausner. Overland Park,
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KS: Johnson County Community College Gallery of Art, 1998
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Christofori, Ralf. Blending Opposites. Berlin, Germany, Galerie Wohnmaschine, 2001
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Griffiths, Marian. Four Sculptors. New York, NY: Triplex Gallery, BMCC, 1990
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Princenthal, Nancy. Idio Cognito. New York, NY: Police Building, 1993
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Rubinstein, Raphael. Flex Color. New York, NY: Apex Art, 1997
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Rubinstein, Raphael. Holly Zausner. Berlin, Germany: Galerie Wohnmaschine, 1996
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Russ, Sabine, ”Jesus died for somebody’s sins, but not mine” Berlin, Germany,
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Schwabsky, Berry. About Plasticity. Berlin, Germany, Galerie Wohnmaschine, 2001
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Schwabsky, Barry. White Out. New York, NY: The Workspace, 1997
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Weld, Allison. Holly Zausner. New York, NY: Sculpture Center, 1992
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