2009 

MIMOCA'S EYE VOL.2, Marugame, Kanagawa, Japan, 2009 

 

 

 

MEMO, Hiromiyoshii, Tokyo, Japan, 2009 

 

 

2008 

BETWEEN THIS AND THAT, Kanagawa Prefectural Gallery (ed.), Yokohama, Japan 2008 

 

 

 

PATTERNS IN DESIGN, ART AND ARCHITECTURE, (ed.) Schmidt, Petra; Tietenburg, Annette; Wollheim, Ralf, Birkhaeuser Verlag AG, Berlin 2007, p. 156 – 159 

 

 

2007 

NEUE HEIMAT – BERLIN CONTEMPORARY, Berlinische Galerie, Berlin, 2007, p. 78 – 81 

 

 

 

COLLECTOR´S CHOICE, COLLECTION2, (ed.) Yoo, Seungmin, Lee, Sunghui, Kim, Inseon, Chung, Ho-Kyung, Koo, Joanne Bonhee, Kim, Najung, Daelim Contemporary Art Museum, 2007, p. 71 

 

 

 

[SUPRA]FICCIONS, Fundació “la Caixa”, Barcelona 2007, p. 20-21 

 

 

2006 

A HOLE IN MY HEAD: TAKEHITO KOGANEZAWA, Bluemark (ed.), Tokyo 2006. 

 

 

 

ANSTOSS BERLIN: KUNST MACHT WELT, Haus am Waldsee, Berlin 2006 

 

 

 

BERLIN-TOKYO TOKYO-BERLIN, DIE KUNST ZWEIER STÄDTE, Angela Schneider, Gabriele Knapstein, David Elliott, Mami Kataoka (ed.), Neue Nationalgalerie Staatliche Museen zu Berlin, Berlin 2006 

 

 

 

IMAGES, 19TH FESTIVAL, Toronto, Canada 2006 

 

 

 

MIMA: OFFSITE- Animated Drawing, Middlesbrough Institute of Modern Art, Middlesbrough, 2006 

 

 

 

DON JUAN oder “zwei und zwei sind vier” oder “Lust in der einzige Schwindel, dem ich Dauer wünsche”, Ursula Blickle Stiftung, Kunsthalle, Wien (ed.), Wien / Nürnberg 2006 

 

 

2005 

WENN SICH KEIN BLATT REGT…NATUR UND TRÄUME IN DER AKTUELLEN KUNST JAPANS, Palais für aktuelle Kunst (ed.), Kunstverein Glückstadt, 2005 

 

 

 

INTERNATIONAL TRIENNALE OF CONTEMPORARY ART, Yokohama, 2005, pp. 106-107 

 

 

 

VIEWS FROM ABROAD [ZEITGENÖSSISCHE KUNST AUS JAPAN], Stadtgalerie Kiel (ed.), Kiel 2005 

 

 

 

ARS VIVA 05/06 – IDENTITY, Kunsthalle Rostock, Rostock 2005, pp. 40-61 

 

 

 

PRETS A PRETER, isthme editions (ed.), Frac Provence- Alpes- Cote d’Azur 2005 

 

 

2004 

PHOTOGRAPHY, VIDEO, MIXED MEDIA II, DaimlerChrysler AG (ed.), Ostfildern Ruit 2004. INTERFACIES ASTERIAE, Asteria (ed.), 2004  

 

 

 

TAKEHITO KOGANEZAWA – DANCING IN YOUR HEAD, Masaki Higuchi (ed.), publ. by Shiseido Corporate Cultural Department, Tokyo 2004 

 

 

 

DIARIES AND DREAMS, Ursula-Blickle-Stiftung, Dornbirn 2004, pp. 218 – 232 

 

 

 

SKULPTUR – PREKÄRER REALISMUS ZWISCHEN MELANCHOLIE UND KOMIK, Kunsthalle Wien, Wien 2004, pp. 152 – 155 

 

 

 

SO WEIT JAPAN, Allianz Versicherungs-AG, Berlin (ed.), Berlin 2004 

 

 

 

MA, John Hutchinson, Ali Davey (ed.), The Douglas Hyde Gallery (ed.), Dublin 2004 

 

 

 

CREMERS HAUFEN. ALLTAG, PROZESSE, HANDLUNGEN: KUNST DER 60ER JAHRE UND HEUTE, Maïté Vissault (ed.), Bielefeld 2004 

 

 

2003 

SHARJAH INTERNATIONAL BIENNAL 6, Peter Lewis (ed.), Sharjah, United Arab Emirates, 2003, pp. 194-197, ill 

 

 

 

Takehito Koganezawa DRAWING, texts by Hans-Ulrich Obrist, Ralf Christofori and Maïté Vissault, Galerie Wohnmaschine (ed.), designed by Atsuki Kikuchi, Tokyo (Bluemark) 2003. (distributed in Germany by Verlag für Moderne Kunst,Nürnberg 

 

 

2002 

MANIFESTA 4, exhibition catalogue and shortguide, Frankfurt, 2002 

 

 

 

DRAWING ON SPACE, published by The Drawing Room, Mary Doyle, Kate Macfarlane, Katharine Stout, Grant Watson (ed.), London 2002, pp. 54-57, ill. 

 

 

2001 

A LITTLE BIT OF HISTORY REPEATED, Kunstwerke Berlin, text by Jens Hoffmann, Edition Valerio, Paris and Kunstwerke Berlin, Linz 2001 

 

 

 

TRANSLATED ACTS – PERFORMANCE AND BODY ART FROM EAST ASIA 1990-2001, Yu Yeon Kim (ed.). Berlin 2001, pp. 88 – 89 

 

 

2000 

INTERIM, Förderkreis Schloss Plüschow e. V., 2000 

 

 

 

MEDIA_CITY_SEOUL 2000, pp. 228-231, Seoul, Corea, 2000 

 

 

 

Knut Ebeling, CONTINENTAL SHIFT, pp. 34-35, Ludwig Forum Aachen, 2000 

 

 

 

Musashino Art University Press, No. 116, Artistnote, pp. 100-105, Tokyo, 2000 

 

 

1999 

COMMAND N, Akihabara TV, Tokyo, 1999 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2008 

Ebeling, Knut, FORTUNATE PROCESS, UNFORTUNATE / GOOD TIME, BAD TIME, in Continental Shift, Ludwigforum Aachen, 2000  

 

 

2007 

Hinrichsen, Jens, Boa Constructor, Tagesspiegel, October 6th, 2007 

 

 

 

Radiobeitrag “Galerien-Rundgang: T. Koganezawa und H. Usui”, rbb Kulturradio, Kultur am Vormittag, September 15, 2007 

 

 

2006 

Kostantatou, Giota, ‘Exercises in sabotage at the Batagianni gallery’, The Athens contemporary art review, Issue 8, November / December 2006, pp. 47-50 

 

 

 

Ozaki, Tetsuya, ‘Out of Tokyo’, www.realtokyo.co.jp/english/column/ozaki144.htm 

 

 

 

Ebeling, Knut, ‘fortunate process, unfortunate process / good time, bad time’,

" target="_blank" lang="en" xml:lang="en">artnews.info/takehitokoganezawa/ 

 

 

 

‘Die höchste Galerie Berlins’, BZ, September 30th, 2006 

 

 

 

‘Sechs Künstler auf dem Springer-Haus’, Die Welt, September 30th, 2006. 

 

 

 

Chan, Carson, Lee, Yoon, ‘Berlin-Tokyo: Takehito Koganezawa’, sleek, Vol. 12, autumn 2006, pp. 82-89 

 

 

 

Lüber, Klaus, ‘Auf nach Berkyo und Tolin’, Die Zeit, June 22nd, 2006 

 

 

 

Peitz, Dirk, ‘Es lebe der kleine Unterschied’, Süddeutsche Zeitung, No. 130, June 8th, 2006 

 

 

 

Karcher, Eva, ‘Lust auf Exotik, Blockbuster-Schau in Berlin: Die Liaison deutscher und japanischer Avantgarde’, Vogue, No. 6, 2006, pp. 106-107. 

 

 

 

Hein, Barbara, ‘Der letzte Schrei’, Art, No. 6, 2006, p. 87 

 

 

 

Arnold, Alice Laura, Daemgen, Anke, ‘Berlin-Tokyo/Tokyo-Berlin- Die Kunst zweier Städte’, MuseumsJournal, No. 2, 20th volume, April 2006. 

 

 

 

Horny, Henriette, ‘Die Einsamkeit des Verführers’, Kurier, March 23rd, 2006 

 

 

2005 

‘Licht aus Tokio strahlt in Rostock’, Ostsee Zeitung, October 7th, 2005 

 

 

 

Ollman, Leah, ‘Video installation provides an earful’, Los Angeles Times, September 16th, 2005 

 

 

 

Danek, Sabine, ‘Bunter Schnee’, Szene Hamburg, August 2005 

 

 

 

Hansen, Hannes, ‘Wenn der Wind den Pinsel führt’, Kieler Nachrichten, August 2005 

 

 

 

‘Natur und Träume in aktueller Kunst’, Holsteiner Allgemeine, Kreis Steinburg, July 2005 

 

 

 

Knoop, Gabriele, ‘Japanische Kunst im barocken Garten’, Norddeutsche Rundschau, Glückstädter Fortuna, July 2005 

 

 

 

www.kiel4kiel.de, June 29th, 2005. 

 

 

 

‘Kyoto und Tokio in Kiel’, Kieler Express, June 15th, 2005 

 

 

 

Rönnau, Jens, ‘Zwischen Ironie und japanischer Tradition’, Schleswig-Holsteinische Landeszeitung, June 13th, 2005  

 

 

 

Kruse, Maren, ‘Wenn die Pumas Pulli tragen’, Kieler Nachrichten, June 10th, 2005 

 

 

 

‘Musik ohne Instrumente und ein Reh im Pullover’, Schleswig-Holsteinische Landeszeitung, June 10th, 2005  

 

 

 

‘Feuerflocken’, Tip, No. 07/05, April 2005, p. 78 

 

 

 

Schulte, Henrike, ‘Spielerische Schwerelosigkeit – Filme von Bienen und Fotos von Elefanten. Neue Ausstellungen in Berliner Galerien im April’, Berliner Zeitung, No. 73, March 30th, 2005, p. 27  

 

 

 

Förster, Ingo ‘Japan Export oder Koganezawas Lebensfaden’, Berlinartinfo, No. 39, March 15th, 2005, p. 28 

 

 

 

Meitzner, Ulrike ‘Die Stille an der Wand’, Berliner Zeitung, No. 62, March 15th, 2005, p. 27 

 

 

 

Jahn, Annette ‘City of Langsam’, Die Tageszeitung, No. 7612, March 11th, 2005, p. 25 

 

 

 

‘Meditation mit Buntstiften’, Prinz 03/05, p.10 

 

 

 

Prinz, Ursula, ‘jetzt/now’, Museums-Journal I/2005, p. 46-47 

 

 

2004 

Seidel, Claudia, ‘Takehito Koganezawa’, Daimler Chrysler Collection, Photography, Video, Mixed Media II, 2004, p. 44-47 

 

 

2003 

Shirasaka Yuri, ‘Takehito Koganezawa’, in ARTIT, Vol. 1, fall/winter 2003 

 

 

 

Bonazzi, Francesco, ‘Takehito Koganezawa’, Juliet, Nr. 114, October/ November 2003, p. 53 

 

 

 

Tasch, Stephanie, ‘Die Leere im Zentrum des Doughnut’, Texte zur Kunst, No. 50, June 2003 

 

 

 

Berg, Ronald, ‘Der Code der kleinen Dinge’, Der Tagesspiegel, April 12th, 2003 

 

 

 

Hüster, Wiebke, ‘Schöner Wohnen mit Wapiti’, Frankfurter Allgemeine Zeitung, April 5th, 2003 

 

 

 

Vissault, Maité, ‘Takehito Koganezawa: How to get closer to the hole of the donut’, etc Montréal, No. 60, January/ February 2003 

 

 

 

Arte, Speciale Artefiera Bologna, January 2003, p.131 

 

 

2002 

Lamarche, Bernard, ‘Défaut de cadre’, Le Devoir Montréal, October 5/6, 2002 

 

 

 

Rochefort, Jean-Claude, ‘L´amplitude des micro-récits’, Le Devoir Montréal, October 5/6, 2002 

 

 

 

De Vries, Janneke, ‘Takehito Koganezawa’, Frankfurter Rundschau, June 1, 2002 

 

 

 

Buhr, Elke, ‘Orangen auf Reise’, Frankfurter Rundschau, No. 119, May 25th, 2002 

 

 

 

‘Lines/Moving’,Zitty, No. 9, April 18th – May 1st, 2002 

 

 

 

Heartney, Eleanor,’The Body East’, Art in America, No. 4, April 2002, p. 44-49 

 

 

 

‘Brigitte Werneburg schaut sich in den Galerien von Berlin um’, die tageszeitung, April 3rd, 2002 

 

 

2001 

Lippincott, E.E., Violent & Eerie, ‘”Translated Acts“ Not For The Weak Of Art’, Queens Cronicle, Central Queens Edition, December 27th, 2001, p. 24, 29  

 

 

 

Interview in the Saarländischer Rundfunk, March 3rd, 2001 

 

 

2000 

Czöppan, Gabi, ‘Rivalen am Rhein’, Focus, No. 44, October 30th, 2000, p. 152 

 

 

 

Gardner, Belinda Grace, ‘Hier könnte jemand durchs Bild spazieren’, Die Welt, October 30th, 2000, p. 50 

 

 

 

Duursma, Mark, ‘Japanese beeldkunst die meer will zijn dan mooi’, NRC Handelsblad, The Netherlands, July 

 

 

 

Ebeling, Knut, FORTUNATE PROCESS, UNFORTUNATE / GOOD TIME, BAD TIME, in Continental Shift, Ludwigforum Aachen, 2000  

 

 

1999 

Reindl, Uta M., ‘Tokyo Shock’, Kunstforum, Bd. 148, December 1999 - January 2000 

 

 

 

Hergeth, Andreas, ‘Synchronikurbeln im Minutentakt’, Tagesspiegel, Berlin, November 20th, 1999, ill.. 

 

 

 

‘Stecker Draussen’, Tip, Berlin, No 23/99, October 1999, p. 106, ill. 

 

 

 

‘Blumen aus Fernost’, Tagesspiegel-Ticket, Berlin, October 1999, p. 24 

 

 

 

Ruthe, Ingeborg, ‘Lilien sterben schön’, Berliner Zeitung, October 23rd, 1999, ill. 

 

 

 

Reissner, Katja, ’Japanische Positionen’, Tagesspiegel, September 26th, 1999 

 

 

 

‘Tokyo Shock’, Tokyo Journal, No. 213, February 1999, suppl. p. 11, ill. 

 

 

1998 

‘Reflections on Art is Fun 9’, Hara Museum Review, Tokyo, autumn 1998